The live performances are divided across the length of the exhibition space through two different buildings and the in-between space, that audience is free to explore and walk-in.
Building 1: A computer on a panel presenting a Skype live connection with a person situated in a different country, expressing discussing ideas during their live connection on a spot, a microphone in front of the computer, possibly inviting the audience to be a part of the discussion.
* The performers tend to “do” actions rather than “act” them in a sense of naturalistic representation.
InBetweenSpace: In between the two buildings, a person on the move, live streaming his footsteps and the surrounding sounds.
Building 2: sound installation on the ground floor, a speaker, a playing recording device, a microphone, (memory sound-scape) 
Building 2:  violin player performing at the spot sounds and instant compositions, tends to “do” actions rather than “act” them in a sense of naturalistic representation, the performance is a life art

Building2:  When the visitors enter the room the performance has already begun with a live act. A sound composition of the mixing of soundscapes mentioned above as well as with the amplified sound of her heartbeat.
As the performance takes place and progresses, the ‘real –time-heartbeat sounds’ are being amplified and gradually mixed and synchronized with the other 3 soundscapes, slowly creating a real-time track; blurs the boundaries between composing, devising, and performing.
This work is an attempt to research how the listener can adopt a different form of attention as the work is removed from an objective physical dialogue between the different spaces and the mixing room where a combination of audio situations of the elements being presented. The piece creates a seamless mediation between the performers' characters and narrative structures are naturalistic, soundscapes composition using the act of mixing of the disconnected spaces with a body instrument created by the author.